Building Community Through Haudenosaunee Raised Beadwork

April 23-24, 2022

Schedule: 10 am-4 pm Sat, 11 am-3 pm Sun

Instructor: Karen Ann Hoffman

Registration Deadline: Registration Closed

Description

2022 United States Artist Fellow and 2020 NEA National Heritage Fellow Karen Ann Hoffman has been beading peace, beauty, and meaning through her Haudenosaunee Raised Beadwork since the 1990s. Also known as Iroquois Raised Beadwork, Haudenosaunee Raised Beadwork is unique to the Six Nations of the Haudenosaunee Confederacy, characterized by lines of beads that arch above the textile surface for a three-dimensional effect, typically sewn onto velvet. The history of Haudenosaunee Raised Beadwork derives from 19th-century tourism at Niagara Falls. Around 1850, Mohawk and Tuscarora beaders developed ornately decorative items to appeal to Victorian tastes, selling them as souvenirs, or “whimseys.” The aesthetic endured and expanded onto objects for internal community use.

In this two-day community-building class, you will make an approximate 6″ x 4″ intermediate-level “whimsy,” enjoy a Native 3 Sisters Soup, and most importantly, leave with a group of new found friends. Although an intermediate project, this class is open to all skill levels. Participants will gain appreciation for the meditative and patient process of beading, learn more about the Iroquois world view, and learn the way culture is represented through needle and thread, food, and art. Children under the age of 15 must be accompanied by an adult.

Thunderbird Whimsey, Chicago Field Museum Permanent Collection. Photo by James Gill Photography.

 

Class size 12

Level Beginner and above

Student Supply List
Glasses if needed for small beadwork.

  • Tuition $195
  • Materials Fee $35

Instructor

Photo of Karen Ann Hoffman

Karen Ann Hoffman

Raised by her first teachers — parents Robert and Betty Ann Messner — as a citizen of the Oneida Nation of Wisconsin, Karen Ann Hoffman grew up in Oshkosh, south of the Oneida reservation. As an adult, she settled in Stevens Point, marrying Michael Hoffman (Menominee/Ottawa) with whom she built a Native tradition-centered life. In the 1990s, she learned Haudenosaunee Raised Beadwork from Samuel Thomas and Lorna Hill, Cayuga artists who traveled to Wisconsin from Ontario to teach.…Read More

Raised by her first teachers — parents Robert and Betty Ann Messner — as a citizen of the Oneida Nation of Wisconsin, Karen Ann Hoffman grew up in Oshkosh, south of the Oneida reservation. As an adult, she settled in Stevens Point, marrying Michael Hoffman (Menominee/Ottawa) with whom she built a Native tradition-centered life. In the 1990s, she learned Haudenosaunee Raised Beadwork from Samuel Thomas and Lorna Hill, Cayuga artists who traveled to Wisconsin from Ontario to teach.

Hoffman is a respected national leader in this art, known for reimagining existing forms to expand their significance for today and the future. Hoffman’s beading combines these two ways of beading to create a third: objects that arise from traditional forms and are infused with Haudenosaunee understandings but that otherwise are new.

Retired from a sales career, Hoffman pursues her twin goals of strengthening Haudenosaunee Raised Beadwork within the Haudenosaunee community and gaining recognition for it more widely. She produces two to three large pieces each year, with some in the permanent collections of the Smithsonian National Museum of the American Indian, the Field Museum, the Iroquois Indian Museum, and the Oneida Nation Museum. She teaches and hosts a beading circle at her home. She is a co-organizer of the annual International Iroquois Beadwork Conference and has curated multiple exhibits of work by Native artists.

Instructor Website

Workshops

Building Community Haudenosaunee Raised Beadwork

Registration Policies & Waiting Lists

Class Confirmation
You will receive a registration confirmation via email. If you do not have an email address, you will receive a snail-mail confirmation.

Please read your class confirmation carefully as it may include a supply list and other important details, and note our current COVID-19 protocols on our Planning Your Workshop Experience page.

Materials Fees
Many classes have materials fees in addition to the tuition. These are identified in the class listing and are usually paid with the tuition payment, however in some cases materials fees are paid directly to the instructor at class time (check the class listing).

Cancellation Policy
While we recognize that life intrudes and plans change, in consideration of the time and energy instructors invest in preparing for classes, we must adhere to the following cancellation policies:

Student cancellations

> Cancellations made 31 days before the published registration deadline date for any given workshop are eligible for a full refund less 25% of the workshop fee OR a gift certificate in the full amount of the workshop fee. The gift certificate can be applied to workshops or lodging through Dec. 31 of the following year and is transferable.

> Cancellations made 30 days or less than the published registration deadline date for any given workshop are not eligible for refunds. We encourage all students to purchase trip insurance.

> Cancellation requests must be made by calling our office at (608) 987-3292.

> If you have booked lodging with Shake Rag Alley in conjunction with your class, please refer to our lodging page for the lodging cancellation policy.

Cancellations by Shake Rag Alley

> If Shake Rag Alley must cancel a class you will be notified immediately via email or phone and will receive a full refund.

> If a class does not meet a minimum number of students, it may be cancelled. A decision to cancel a class due to under enrollment will be made on the day following the published registration deadline.

> If you have booked lodging with Shake Rag Alley in conjunction with a class cancelled by Shake Rag Alley, you may receive a full refund on lodging should you wish to cancel the lodging. Please call the office at (608) 987-3292.

Waiting Lists

If a workshop you are interested in is sold out, please fill out this waiting list form. We will contact you if a spot becomes available. The class code requested on the form is the Workshop ID shown at left, beneath the Add to Cart button.

Workshop ID 22R113L Catalogs , ,